Every morning, our feet take stretches of road
like pages, like pavements that have not yet
born our words, our miles, our smiles,
our tears. We reach up, we reach out,
we bring wheels to asphalt hoping that the next day
is not split in two by a fissure crack –
or two, or twenty –
of heartbreak. Yes, we humans chase pavements. And we
do it again, and again, and again. I do it every morning,
trying not to look behind me.
Category Archives: Asperger Poetry
Glass and Concrete (For World Autism Awareness Day, 2012)
I place my hands on the glass wall,
pushing against one more boundary
between me and the world, as if my bare hands
could make the wall more solid, less breakable: and when
I lift them up, I see the remains of one language
I speak, an entire matrix of lines, swirls, and whorls
dictated by DNA, stamped onto the glass
in oil and sweat. The handprints won’t tell you
about the endless rooms in my attic brain full of
my memories in Super 8 film rolls coiled up and sleeping
which have been magically appearing since I was a year old;
or the rooms of computer hard drives storing facts, numbers,
and encyclopedia notes numbering somewhere in the octillions;
or the glass-shatter heart that sometimes fractures if I breathe,
or suck in air from the shock or suspended surprise
of someone else’s pain, or when one of my own free-floating
pieces of celluloid with razor blade edges slices my fingers
when I yank it out of my film projector and try
to stuff it back into the canister it escaped from. The handprints
won’t tell you that our family’s collective lips are sealed
about our green strangeness, the unuttered word
that I alone out of the clan speak: autism. The handprints
won’t tell you that I shut my eyes and imagine
the lost, the mute, and the gaunt lit with pain
and pulling razor blades out of their throats
appearing as time-delimited half-tones behind this wall:
Tommy the pinball wizard;
my grandmother made of cedar beams, Indian blood, and elocution;
and a lizard poet, white knuckled, hanging on
to a rollercoaster of pain for dear life,
just to name a few. But the handprints will tell you
that I am human.
I wonder if you can see them: sometimes, I know
that on your side, you only see graffiti-infested concrete,
slapped and glued with headlines about
how our hearts are hollow, how we live as alien mutants
among you in a universe of uncertainty, and how
the word “never” seems to creep into your speech about
us. And you wonder why I erect a glass wall? Some days,
I am forced to pour concrete and hide behind
the wall of cold cinnereal while I listen to the noise
coming from the other side and my eyes
flood and create another ocean: but eventually,
I raze the walls that I construct, and all that separates
me from the world is a stately barrier of glass.
Place your hands on the glass and line them up
with mine: can you feel
the warmth from breath and skin, sweat and
rhythm, blood like tom-toms pounding and marching
all through my body? This is how we can be,
hand to hand, eye to eye, toe to toe, once I feel
I can approach the glass. We touch, and it can melt away
into a membrane, or it can eventually evaporate
and become a ghost that we used to look at each other
through: this is the understanding I need, and the vision
that you need. But as long as you insist on concrete
slapped with pity, pithy headlines, and ignorance,
you will never feel my handprints. You will never
feel my warmth. And you will be convinced that I am a
comic, hollow being that can never feel. And all
the while, I will be drowning in another one of my oceans
behind that wall.
Written 4/2/12
© 2012 Nicole Nicholson. All Rights Reserved.
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I wrote this to share today because it is World Autism Awareness Day (April 2, 2012). I hope you enjoy the poem and that it gives you another glimpse into my world.
-Nicole
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Holes
(Lakshmi and Persephone, to Sita)
(Lakshmi)
I don’t want to ask you about
how wide or how large the hole grew to –
I’d rather not remind you it’s even there
at all. When the white rabbit disappeared
down into the abyss, to the other side,
pocket watch in hand, a dandy’s waistcoat
girt about him like an old fool from sepia days,
we did not bid him goodbye, or Godspeed, or even
tears. Perhaps a veiled middle finger out of his sight,
or a “fuck you” shouted down the hole in frustration
for the pile of undone things he left behind — but that
was all we sent after him into the ether;
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Pele Courts Vishnu, In Human Form
I have had my fingers burn with crimson delight,
electricity climbing nerves like a zig-zag bandit
to the top, tips glowing like thunderstorm light
proudly proclaiming desire. From there, the glow becomes
contagious, ever spreading throughout my
expanse of skin until I bloom, effulgent and dangerous –
I rage and flow inside every Cimmerian night.
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A Study in Color
If you see the paint on my shoes,
the imprint of color like lost angels
that slipped from brush tips, fell to Earth,
and landed, becoming color Rorschachs
upon another canvas, then know
that they are the words I lost from between lips and teeth,
accidental syllables of emerald, brick red, and azure
that flew too close to the sun.
Some land on the floor, imprinting onto my soles
once I walk across their wordless surfaces.
Short Film, “Letter to My Father”, on YouTube
Meet the Nicholsons.
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You can see all of them in the short film for my poem, “Letter to My Father”, which I uploaded today to YouTube. This film was featured at The Art of Autism Exhibit. The poem will appear in the 2012 edition of “The Art of Autism”.
Threads (for Autistics Speaking Day, 2011)
We wear the mask that grins and lies,
It hides our cheeks and shades our eyes,–
This debt we pay to human guile;
With torn and bleeding hearts we smile…
— Paul Laurence Dunbar
One might believe that there is an incongruity
within a doctor who can rescue a young toddler
playing in a sea of vomit inside of a South Indian hut
eviscerated by a village’s cholera outbreak, but yet
finds himself becoming windswept detritus tossed
from coast to coast by a stomach which demands
a constant schedule. One might place
his wide-armed compassion of raising that boy himself
and his Richter scale tremors at finding his office disturbed
as light-and-dark contrast Polaroids, and wonder
if the two men were even the same:
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New Video Version of “You Don’t See It” on Youtube
The newest version of the video for my poem, “You Don’t See It”, is now available on Youtube. This is the version that first aired at the April 2, 2011 Awe in Autism Live Event. Included in the video is some of my own artwork specially created for the poem. Watch below. I hope you like it.
NaPoWriMo Poem #13: Pretending to Be Normal (Eye Contact)
If you try to look into my eyes
you might succeed, if only for a moment
until I feel your gaze incise
and my skin wires buzz with too much current.
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NaPoWriMo #2: Lamppost Hierophant
for Sam Drezner
There are four of them.
Each day, the sun rises and warms our faces in the East.
Each day, we breathe out the smoke of our spirits until it is spent.
And each day, you are divining these lampposts.
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Big Tent/WWP Poem #42: The Way Back Home
Perhaps
if I could unravel the threads that ever live behind my skin, I could
find it. There are so many exposed, raw and frayed ends,
and as I have said before,
I pull on them so that you don’t. Watch me
pull away this sweater of a skin, blow the dust off
my bones, and climb the stairs to an attic
that ever collects: there is nothing sacred and safe
from being stolen from walls, from projector screens,
or from the air. Everything is carried home, purloined
beneath the archway of my arm,
slumbering against ribs cradled with adipose and skin,
nestled in the crook of my elbow.
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WWP Poem #30: Paint by Numbers
i. zero
Nobody knows that this thing
isn’t a bandit: it doesn’t seize you suddenly
and leave you awash in open wire and stereo speakers
jammed into your ears. There is only the
curious brown baby, eyes like cameras,
with a wound-up roll of film for a brain.
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