Code

Dear H: for those of us to whom words
sometimes do not easily run, saunter, or even
amble: we speak in code. We think in code. We
construct our languages painstakingly
like little Tolkiens, separated by time, distance, and space:
but the Hobbits and the Elves ain’t got
nothing on us. We have the dexterity
of pictures, objects, or even
moving film to send messages to world,

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1 in 88, Nicole Style

If you’ve met one autistic person,
you’ve met one autistic person.
– Unknown

i. photograph

Somewhere in Winnepeg,
there is an icehouse with my name still on it. A
little colored girl with candy-coated braids stands,
buried under shushing layers of polyester and goose down feather,
hooded like a monk’s secret, pretending to be Eskimo
hand held by a bundled-up mother while
house becomes mirror. She studies
the flawless lines and 90-degree angles
where ice bricks become neighbors. Nobody
mentions puzzle pieces yet.
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Shades of Color

Emergence by Nicole Nicholson

Emergence by Nicole Nicholson

In my world, everything matches.
Or compliments each other.
Or hopefully, just “goes”.
You see, along with
every other piece of data I have
ingested, I have loaded the color wheel
into my brain. And colors
become encyclopedia notes:
there is an exactness in what I do.
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My Poem “Glass and Concrete” Published on Autism and Empathy

My poem, “Glass and Concrete” was republished over at the Autism and Empathy website.

Autism and Empathy seeks “to undo the myths about autism and empathy that have stigmatized autistic people for so long”. The site features prose and poetry by autistics, family members, parents, and professionals. If you haven’t seen it yet, I encourage you to go and read.

-Nicole

Glass and Concrete (For World Autism Awareness Day, 2012)

I place my hands on the glass wall,
pushing against one more boundary
between me and the world, as if my bare hands
could make the wall more solid, less breakable: and when
I lift them up, I see the remains of one language
I speak, an entire matrix of lines, swirls, and whorls
dictated by DNA, stamped onto the glass
in oil and sweat. The handprints won’t tell you

about the endless rooms in my attic brain full of
my memories in Super 8 film rolls coiled up and sleeping
which have been magically appearing since I was a year old;

or the rooms of computer hard drives storing facts, numbers,
and encyclopedia notes numbering somewhere in the octillions;

or the glass-shatter heart that sometimes fractures if I breathe,
or suck in air from the shock or suspended surprise
of someone else’s pain, or when one of my own free-floating
pieces of celluloid with razor blade edges slices my fingers
when I yank it out of my film projector and try
to stuff it back into the canister it escaped from. The handprints

won’t tell you that our family’s collective lips are sealed
about our green strangeness, the unuttered word
that I alone out of the clan speak: autism. The handprints

won’t tell you that I shut my eyes and imagine
the lost, the mute, and the gaunt lit with pain
and pulling razor blades out of their throats
appearing as time-delimited half-tones behind this wall:
Tommy the pinball wizard;
my grandmother made of cedar beams, Indian blood, and elocution;
and a lizard poet, white knuckled, hanging on
to a rollercoaster of pain for dear life,
just to name a few. But the handprints will tell you
that I am human.

I wonder if you can see them: sometimes, I know
that on your side, you only see graffiti-infested concrete,
slapped and glued with headlines about
how our hearts are hollow, how we live as alien mutants
among you in a universe of uncertainty, and how
the word “never” seems to creep into your speech about
us. And you wonder why I erect a glass wall? Some days,
I am forced to pour concrete and hide behind
the wall of cold cinnereal while I listen to the noise
coming from the other side and my eyes
flood and create another ocean: but eventually,
I raze the walls that I construct, and all that separates
me from the world is a stately barrier of glass.

Place your hands on the glass and line them up
with mine: can you feel
the warmth from breath and skin, sweat and
rhythm, blood like tom-toms pounding and marching
all through my body? This is how we can be,
hand to hand, eye to eye, toe to toe, once I feel
I can approach the glass. We touch, and it can melt away
into a membrane, or it can eventually evaporate
and become a ghost that we used to look at each other
through: this is the understanding I need, and the vision
that you need. But as long as you insist on concrete
slapped with pity, pithy headlines, and ignorance,
you will never feel my handprints. You will never
feel my warmth. And you will be convinced that I am a
comic, hollow being that can never feel. And all
the while, I will be drowning in another one of my oceans
behind that wall.

Written 4/2/12
© 2012 Nicole Nicholson. All Rights Reserved.
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I wrote this to share today because it is World Autism Awareness Day (April 2, 2012). I hope you enjoy the poem and that it gives you another glimpse into my world.

-Nicole
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Short Film, “Letter to My Father”, on YouTube

Meet the Nicholsons.

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You can see all of them in the short film for my poem, “Letter to My Father”, which I uploaded today to YouTube. This film was featured at The Art of Autism Exhibit. The poem will appear in the 2012 edition of “The Art of Autism”.

Threads (for Autistics Speaking Day, 2011)

We wear the mask that grins and lies,
It hides our cheeks and shades our eyes,–
This debt we pay to human guile;
With torn and bleeding hearts we smile…
— Paul Laurence Dunbar

One might believe that there is an incongruity
within a doctor who can rescue a young toddler
playing in a sea of vomit inside of a South Indian hut
eviscerated by a village’s cholera outbreak, but yet
finds himself becoming windswept detritus tossed
from coast to coast by a stomach which demands
a constant schedule. One might place
his wide-armed compassion of raising that boy himself
and his Richter scale tremors at finding his office disturbed
as light-and-dark contrast Polaroids, and wonder
if the two men were even the same:
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