Read Write Body Poem #4: “Disappear”

This poem was written for the latest mini-challenge from Read Write Poem — write seven poems about the body in the context of October. I didn’t pick a specific body part this time — I went more with the general idea of “disappearing”. Enjoy.

-Nicole

P.S. If you want to read everything else I wrote for the mini-challenge, click here.
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I can fold myself up so small. Bend my kneels, curl my back
until it cracks. Assume a flattened mantis position,
elbows swallowing themselves, wrists closing in on skin
like a pair of taciturn books. I could crush – no, compact myself
until my chicken bones break in the darkness. Knees become useless,
rotating broken legs in every direction. Arms flop, speaking limp doll dialects
until they die of gangrene. Eyes close, pull down the shades
to the light. A line in the silent black, one dimensional,
no longer speaking. The oldest trick in the book, Houdini’s envy – except
I don’t come back to tell you
that I’ve broken the void.

Written 10/11/09
©2009 Nicole Nicholson. All Rights Reserved.

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Stumble It!

Bonfire, Atlantis, 15000 B.C.

This is one of two poems written for Read Write Poem #91: The Self As Memory, Or Vice Versa. This prompt was courtesy of guest celebrity poet Joseph O. Legaspi and invited us to, using two of his photographs and memories we want to either remember or forget, freewrite and compose two poems. This poem was the “what I want to remember” category. I stretched back to a previous lifetime for this one and took some poetic license, using some descriptive phrases from picture #2. Whatever you happen to believe about reincarnation does not matter — I hope you enjoy the poem.

And after you read this, I invite you to read poem #2.

-Nicole

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Let’s crucify death tonight. Let’s pin
that motherfucker to the wall. This bonfire
now crackles before our faces, calls our feet
colored in brown, peach, pale yellow, burnt sienna, and sable
to spell out our names in letters of elation
as we encircle this exploding insane flower
of flame. We’ll pound our joy
into the solid back of Earth tonight. We’ll go pre-verbal,
speaking in some crazy, proto-human dialect
of shriek, moan, shout, bark, whoop, and cackle
in the hope that by sheer exuberance
we’ll keep this fire burning. Owls will perch
above in the dark canopies, staring at us
with confused eyes of polished moonstone,
and the wild, moon-moaning flute music of wolves
will guide our frantic explosion of
soul-scream song.
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Heat Wave Torture

This week, I decided to try out a new poetry form known as a memyric. The memyric was invented by Lancelot of Pleiades and uses four-line stanzas of five, three, eight, and three syllables respectively, with the two three-syllable lines rhyming. The last word of the first line rhymes with the first word of the second line. It’s a fun form to work with. If you’d like to see an example written by the inventor of the memyric, check out this poem: “The Roll”.

Now for your reading pleasure, I give you this *modified* memyric, written for Poefusion’s Tuesday Title Prompt, which this week is “Salty Moon”. I did not completely follow the rules for the memyric (my last word in my first line doesn’t rhyme with my first word of my second line), but I experimented with some internal rhyme instead. Enjoy.

-Nicole

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Salty moon in June
overhead -
saturated, not crisp, clean. It
wilts instead
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Unchained

This poem was written for Poefusion’s Tuesday Title Prompt, which is “Unchained Roads”. Enjoy.

-Nicole

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Unchained roads
lead to unknown melodies
on the side of the dawn,
waiting to be heard and explored,
but have been ignored
by the stiff and the bored.
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Release the Light

This poem was written for two prompts: Tuesday Title at Poefusion (“Red Music of Burning Glass”) and Read Write Poem Prompt # 51: Peel the Onion. This was a collaborative piece written from material contributed by several members of Read Write Poem (for more details, follow the link above to RWP). Enjoy.

-Nicole
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artifices

I.
brittle glass on top of skin
you wince when you hear the red music
of its burning from fiery words
outer pain melts its way inward, encases you in stasis
gives you unseen green skin, horns, and strange trumpet ears
your ogre lives inside
beneath warm smiles and pleasant gestures
a surly growl, a sullen look

II.
taught rough rope moves through this world
taught fiber optic nerves respond in reflex
block fists, spray formic acid
piss on their sacred cows to even the score
but no Warholesque masterpieces flow from you
just tainted water and stench

III.
pieces of you stick to whoever gets close
they require surgical removal
so you sit in a wombat’s corner
radar eyes scan shoe shuffles, forgotten creases and ruffled hair
crawl up into a tree with silent mental pictures
of your purloined goods
smirk at your clandestine getaway
from the dance of red blood and flushed skin that is life

reality

IV.
you get human, you get lazy
drop Polaroid prints of yourself for others
to pick up, look at, insert into their own mental photo albums:

your open office door betraying pictures of
your multicolored family on your monitor
in full screensaver view

your refusal to eat meat, your barely perceptible shudder
when you see skin stretched across ottomans

your sobs heard through a door as you
tend inner bruises, insults, and scabs and then
hurriedly glue yourself together, mop up the tears left over from
an impromptu tsunami

backlash

V.
now you notice that you’ve dropped far too many pictures
what do you do?
scurry, gather them up
suspicions rise as thought ribbons to tie you down
who saw what? who will say what to whom?
barely survive the strangling from the boa constrictor
ribbons wrapped around your neck
move with with austerity, look over your shoulder
a comatose spirit watching self in half-tones
wishing for the dawn

question

VI.
what are you hiding?

a little girl who likes chocolate ice cream most of all
and who rides her favorite yellow bike around the block?

a young boy sneaking into an empty construction site
to play within its cage of studs and trusses,
the whole world close enough to touch?

a man grabbing chips in his cold tight claws,
collecting too many to hold or swallow or chew or lug in a massive bag
until he must let them fall away?

a woman who still remembers empty mailboxes
and emptier promises?

truth

VII.
peer through the unseen gossamer curtains
that divides inner soul from outer layers
when the curtain is drawn back
your truth stumbles forth, blind and sloppy
sometimes the breeze blows the curtain open
you’re fooling no one

release

VIII.
so release the light, let it burst forth
penetrate your layers, peel them back
become both onion and peeler
cry as you are peeled away
there’s a quivering soul at the core
holding out a single rose
hoping someone will take it from your fingers

the end

IX.
now a question:
this reflection in the mirror
these thoughts, these images, this truth -
was it you or was it me?

Written 11/3/08, 11/4/08, and 11/5/08
© 2008 Nicole Nicholson and the folks at Read Write Poem. All Rights Reserved.

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Stumble It!

Final Night in Sodom

This triptych poem, also my first triptych chained hay(na)ku, was written for two prompts: Read Write Poem Prompt #50: Gothic (‘Tis the Season) and Poefusion’s Tuesday Title Prompt this week (from Billy Corgan’s book “Blinking with Fists”).

Rather than the old gothic tales we have gleaned so many of our metaphors and cliches from (dark, spooky castles in the middle of nowhere, graveyards, black roses, etc.), I decided to go biblical on your collective poetic asses. This poem, of course, is based on the biblical story of Sodom and Gomorrah.

This triptych poem can be read THREE ways actually, as opposed to two like my other ones. Of course, you can read across, and then down each section. You are also encouraged to read down the columns in all three sections as a third way to read the poem.

WARNING: This poem contains references to violence, sexual assault, and murder. If you are not comfortable with these subjects, I suggest you stop reading now.

If you’d like to read on, then enjoy.

-Nicole

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Declaration of the Water

This was written for Poefusion’s Tuesday Title prompt this week, which is “I Shall Let The Wind”. Enjoy.

-Nicole

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First, I shall let the wind blow me through the trees, cry her sorrows into my ears, and kiss my mirrored surfaces with a gale-force fist rather than with a gentle breeze that tickles ripples into my skin.
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Runaways

This poem was written for two prompts: Poefusion’s Tuesday Title prompt for this week (“Evening Is The Whole Day”) and for Read Write Poem Prompt #48: What is the collaboration we speak of?

The first Read Write Poem link is to the prompt’s announcement itself; the second posting is here, where Read Write Poem folks posted one word or more each and Nathan Moore strung the words together to create the jump-off point for this prompt. So, with that being said, I am only one author of this poem; go to the second RWP prompt link above to see who else contributed. And enjoy the poem.

-Nicole

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Evening is the whole day in this rabid, livid, living nightmare
for the tatterdemalion who slink across chrome alleys, these
spider veins in the ass of this city.
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While Waiting For A Bus

Torn Notebook, 1 by Flowrbx
Torn Notebook, 1 by Flowrbx

This tanka was written for two prompts – Monday Mural at Poefusion (which uses the above picture) and One Single Impression Prompt #32: Serendipity. Enjoy.

-Nicole
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torn pages in the wind
a white bird lands in my palm
singing silent songs
in ink; I wanted a ride
instead, I found someone’s soul

Written 10/5/08
© 2008 Nicole Nicholson. All Rights Reserved.

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Stumble It!

Modern-Day Jeremiah In Six Sentences

This Six Sentences piece was written for the Tuesday Title prompt at Poefusion. Enjoy.

-Nicole

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Listening to the color of my mind has produced blackness on my face. I look for ashes to rain down upon myself, sackcloth to wear, but find neither plentiful in this happy, sunny, articulate void called twentieth century America. The azure coasts call my name in fairy tale pixie tones, and their wonderful blues seduce my heart, but succeed only for a moment. I make my own ears go tin and turn my heart away, for I want to be Jeremiah right now, wailing requiems for liberty, beauty, passion, people, and meaning in the neon concrete temple courtyards of this North American Israel. Listening to these golden azure songs will steal my feet away from the path of lament, never to return.

Written 9/30/08
© 2008 Nicole Nicholson. All Rights Reserved.

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Stumble It!

Your Voice

Melting Time Sculpture
Melting Time Sculpture taken by Black Coffee Blue Jeans

This was written for the Monday Mural Prompt on Poefusion. Enjoy.

-Nicole

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Your voice is a soft bed with clean
sheets. I can sleep in it. I can dream
in it. I could drift away in the sea of
your songs, the currents of your sonic
rivers.
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