Time

Click on the Image Below to Read the Poem. If you are unable to view the image, you may view the poem as a PDF here.

Written 1/16/12
© 2012 Nicole Nicholson, except for items in italics, which are © 1981 David Byrne, Brian Eno, Chris Frantz, Jerry Harrison, and Tina Weymouth. All rights reserved on material by N. Nicholson.
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This poem was written for We Write Poems Prompt #89: Respond to This. We were to respond with a poem to the following sentence:

“As the Great War drew to a close, a young Englishwoman wrote wearily in her diary, By the end of 1916, every boy I had ever danced with was dead.”

I ended up having two reactions at once: the first was to offer to dance with the woman to help relieve her sorrow and loneliness, and the second was anger at the horrors and practice of war — an insane, senseless affair which has no purpose.

After a little thought, I figured out whose response was whose. What do I mean? Well, if you’ve read this blog before, you might remember that I introduced you to Nick back in this poem last September. (And of course, if Nick is an alternate version of me, he has to be, well, shorter and heavier…but you get the point.) After noticing that a significant number of poems were written in a male voice, I first concluded that this was simply my animus talking. But after some thought, I’ve concluded that I’m probably bigendered — i.e. I have a distinctly male persona and a distinctly female persona (I won’t overload you with extended details, but if you want to knock yourself out, check out the Wikipedia link earlier in this sentence, or this link).

Sooo….both Nick and Nicole got to respond this time. Hence why the two sides of this (loose) cleave are labeled as such. I don’t know if I will label future poems as such, but let’s just say this was an experiment. I hope you enjoyed the read.

And a thank you to David Byrne, et. al., for the borrowed inspiration. The lyrics come from “Once in a Lifetime” by the Talking Heads.

-Nicole
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How to Dream

The #6 bus makes its paces through the town:
up Baxter Street, past Millege, up Sanford, past
the Library, past the transit center, and then looping around
to Hancock Street. Everything is slick from the
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This Is Not Magic

I can’t explain how I do it
and when I try, I can only point you
to the canvas: there is speech which keeps
refusing to exit through lips and tongue
and insists on taking its form
as colored chansons upon a blank face –
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Window Psalm

Leaf leaves the mother tree in its falling flight,
descends to die in the earth at her feet.
Leaf becomes soil, and soil becomes womb;
leave the childbearing to winter’s chill and
tales of a babe born and laid in a manger;
								                        selah.

Tree becomes testament, and book is bound,
its reflection white and glassy in the store window.
Read the window, tell the tree to tell her tale
in textbook and tome, story and poem,
or Scripture born on a pale, thin skin;
								                        selah.

Tomes of tombstones, one errant in the reflection
while blurred winter wind and sky imprint onto the glass.
Soil becomes tomb as another year goes to sleep,
bedded down beneath snow, sidewalk, and an aging sun
while rainbow lights color each cornflower Yule twilight;
								                        selah.

Brownstones rise from the earth with aplomb
while Christmas bells chime and call choruses forth.
The choirs, the organs, and the digitally made song
cannot reach the man, distant, imprinted in the window –
distant and singular in this season of joy;
								                        selah.

O glass, what more will you impart
in this season of both ashen day and resplendent night?
Birth and death pass each other with wary, cautious eyes,
unsure of the true ruler of these days –
is it the cold claiming our breath or the warmth of our hearts?
								                        Selah.

Written 12/13/11
© 2011 Nicole Nicholson. All Rights Reserved.
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This poem was written for this week’s We Write Poems Prompt. My poem ended up being a psalm based on how the images in the picture called out to me and the interplay between them — and the words associated with them.

“Selah” is a word used rather frequently in the psalms of the Torah/the Old Testament of Bible. According to Wikipedia, it is “a difficult concept to translate”; it might be a liturgical instruction or indicate an instrumental break. Anglican clergyman and Biblical scholar E.W. Bullinger believed that it was a conjunction between two verses of a psalm, possibly to illustrate a contrast or a cause-and-effect relationship. The suggested meaning that caught my eye the most — and is how the term is intended to be used in this poem — is “pause, and think of that”, which is how the term is translated in the Amplified Bible.

-Nicole
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Free-Falling

I. I’m not sure all these people understand

You see bodies like broken dolls free-falling
onto the clean and deserted pavement.
Blood slides out of tiny crevice and huge chasm wounds
and joins the shells of flesh as they collapse and land
onto the asphalt. You swear that you can see
breath exiting as the bodies hit the ground – but the breath
always climbs upward, leaving its old ribcages behind.
Now, there is nothing left but smoke and desolate silence as
crumpled bodies and crumpled trucks lay empty
underneath the orchid, scarlet, and maize colored dawn.

Suddenly there is only blackness –
you fall from dreams into waking –
and land with a sudden jolt –

and there is only you, your trembling limbs,
your quivering nerves running scared up and down
the length of your body,
and the half-lit cloak of night that kept you company
while you slept. You sit up, shirtless and sweat-drenched,
the survivor of yet another head-on collision
between you and nightmare.

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Without End, Amen

The gathering at the oak tree gazes up to watch
light breaking through the leaves in lucent blonde fingers;

hallelujah

through the gathering of leaves — the oak’s green sleeves:
a blind wooden eye turns, and the gifts slip through her fingers;

hallelujah

as colors race through the membrane sky –
the rainbow siblings salute us through azure as one;

hallelujah

past the rain, shed to call colors up from
the earthen membrane beneath us, where we stand as one

hallelujah,

and we send back the song as electric impulses,
voices carried through limbs and hearts alone;

hallelujah

is our voices escaping only in breaths and upraised limbs as
we each stand before You alone;

hallelujah

Written 11/29/11
© 2011 Nicole Nicholson. All Rights Reserved.

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This week’s poem was inspired by two things: 1) “Hallelujah” by R.E.M., which appears on their latest release, “Part Lies, Part Heart, Part Truth, and Part Garbage” and 2) the We Write Poems Prompt this week which suggested that we look at words in pairs and the relationships between words. The picture is courtesy of Rampaging Poet from Deviant Art.

Process Notes: I basically took the words in the order that they appeared and considered each two to be a pair (gathering/oak, color/membrane, and voice/limb). Once I did this, the images and the story began to emerge. Also, I’ve been listening to “Hallelujah” lately…it’s an absolutely gorgeous and inspiring track and it just makes me even sadder that they broke up…but at the same time it seems like the perfect song for an ending. The spiritual nature of the lyrics inspired me…I wanted to write a companion/answer that would do it justice.

-Nicole
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Threads (for Autistics Speaking Day, 2011)

We wear the mask that grins and lies,
It hides our cheeks and shades our eyes,–
This debt we pay to human guile;
With torn and bleeding hearts we smile…
— Paul Laurence Dunbar

One might believe that there is an incongruity
within a doctor who can rescue a young toddler
playing in a sea of vomit inside of a South Indian hut
eviscerated by a village’s cholera outbreak, but yet
finds himself becoming windswept detritus tossed
from coast to coast by a stomach which demands
a constant schedule. One might place
his wide-armed compassion of raising that boy himself
and his Richter scale tremors at finding his office disturbed
as light-and-dark contrast Polaroids, and wonder
if the two men were even the same:
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Hawk Eyes

The sign reads 20 MPH. The hawk: 0 MPH.
He, a mute sentinel of white and tawny feathers, perches
atop its narrow, blade-thin edge to watch
cars pass in the rain: swivel, stare, and then
swivel again in perfect two hundred seventy degree
rotations.
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The Art of Autism Exhibit: November 4 – 6, 2011

The Art of Autism Exhibit will run from November 4 – 6 at the Good Purpose Gallery in Lee, Massachusetts. Please click on the graphic below for more information and a full flyer about the event.

A short film for my poem, “Letter to My Father“, will be shown during the exhibit.

The Art  of Autism 2011 Exhibit

Please share/Tweet/post on FB/reblog/etc. :)

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“High School Jungle” in Hyperlexia Journal

Greetings, readers!

High School Jungle” was published in Hyperlexia Journal on Friday, October 14. It was written about my own experiences with being bullied in high school.

Hyperlexia Journal is a literary journal about the autism spectrum that publishes poetry, fiction, and personal essays. The editors of Hyperlexia seek “genuine and truthful writing about autism”.

You and Me, We Know About Time

R.E.M., 1984

R.E.M., 1984

For Peter, Bill, Mike, and Michael

You were made out of
cinereal, coriander, and lemon;
sable, cinnamon, and indigo;
bergamot, ginger, and rose. You
spoke like a thesaurus and sounded like
troubadours, da Vinci, broken glass, microchips, and
guitar string nerves, ragged at the edge
and carrying too much current. You
mumbled and sang clarion from rooftops by turns.
All of this has been living in my ears
and in my brain, that attic that
holds everything and lets go of nothing.
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A Day on the Spectrum: October 9, 2011


A Day on the Spectrum
October 9, 2011
The Curious Cup
Carpinteria, CA

Artists scheduled to appear include poet Sydney Edmond, visual artist Dani Bowman, and Arrest My Sister (with lead singer Scott Spiegel, who is on the spectrum) will be appearing. Click here for a flyer with more information about the exhibit.